Jacob Hart

Research

• FluCoMa Explore Articles. [website]

  A series of 15 analytical and pedagogical articles, and 9 podcasts, each focusing on a different FluCoMa case study.

  University of Huddersfield, UK (2022).

• Architecture about Dancing: Creating a Cross Environment, Cross Domain Framework for Creative Coding Musicians.

  Authors:

  Owen Green ,

  Pierre Alexandre Tremblay ,

  Ted Moore ,

  James Bradbury ,

  Jacob Hart ,

  Gerard Roma .

  PPIG 2022 – 33rd Annual Workshop (Psychology of Programming Interest Group).

  The Open University, UK (2022).

• Performance cartography, performance cartology: musical networks for computational musicological analysis. [thesis]

  Doctoral thesis. Supervised by Frédéric Dufeu and Owen Green. Viva voce 29th November 2021, jury members: Simon Emmerson, Robert Adlington.

  University of Huddersfield, UK (2021).

• Indentifying and analysing the sonorous potentialities of a digital instrument. [article][video]

  JIM 2020 (Journées d'Informatique Musicale).

  University of Strasbourg, FRA (2020).

• The cartography and cartology of a performance.

  RMA 2020 (Royal Musical Association Conference, 56th Edition).

  Goldsmiths, University of London, UK (2020).

• Identifying gestural vocabulary in video games through audio corpus manipulation.

  MAMI 2020 (Music and Moving Image Conference XVI).

  New York University, USA (2020).

• Fluid corpus manipulation for musicological analysis. [video]

  FluCoMa Plenary (Fluid Corpus Manipulation, 3rd Edition).

  University of Huddersfield, UK (2019).

• The creative process as instrument making: a case study of four electronic musicians.

  TCPM 2019 (Tracking the Creative Process in Music International Conference, 5th Edition).

  NOVA FCSH, Lisbon, POR (2019).

• The performance network and how to analyse it: using actor-network theory for analysis of performance.

  MHM PGR Conference.

  University of Huddersfield, UK (2019).

• Understanding the contemporary ear.

  CeReNeM Research Colloquium (Centre for Research in New Music).

  University of Huddersfield, UK (2018).

• A paradigm of infinity: an analysis by mathematical formalisation of the work of Nils Frahm.

  Master's Research Thesis. Supervised by Antoine Bonnet. Viva voce jury members: Antoine Bonnet, Bruno Bossis.

  University Rennes 2, FRA (2017).

• The contemporary ear: how to analyse the listening practices of our time?

  Doctoral Seminar "Sound and Image: Methodological approches".

  University Rennes 2, FRA (2017).